Calligraphy festival returns after two-year hiatus

The annual Spring Calligraphy Festival, which honours the art and local tradition of writing, will begin at Hanoi’s Van Mieu-Quoc Tu Giam on January 15, marking its return following two years of hiatus due to the COVID-19 pandemic.
Calligraphy festival returns after two-year hiatus ảnh 1Illustrative photo (Source: hanoimoi.com.vn)
Hanoi (VNA) – The annual Spring CalligraphyFestival, which honours the art and local tradition of writing, will begin atHanoi’s Van Mieu-Quoc Tu Giam on January 15, marking its return following twoyears of hiatus due to the COVID-19 pandemic.

Having a calligraphic work written on red paper to displayduring the Lunar New Year festival (Tet), Vietnam’s biggest traditional event,is a local tradition to pray for good things. The calligraphers write letters meaning prosperity, longevity and happiness.

This year’s festival will feature 50calligraphers from clubs nationwide qualified by the organising board.

Visitors will also be treated to an exhibition of excellent calligraphicworks, culinary delights, folk games, traditional music performances, waterpuppet shows, and activities to introduce handicrafts. Most of the events will take place at Van (Literature) Lake located within the complex.

Le Xuan Kieu, director of the Centre for Scientific andCultural Activities of Van Mieu – Quoc Tu Giam, said preparations have been finished, ready to serve tourists in coming days.

Van Mieu-Quoc Tu Giam (Temple of Literature Complex) is oneof the most popular relics and tourist destinations in the capital and thecountry at large. Built in the 11th century during the Ly Dynasty (1010 –1225), it is also among the most important Confucian symbols in the country.

The complex consists of Van Mieu, a temple dedicated toConfucius as Confucianism used to be a popular religion in Vietnam in feudaltimes, and Quoc Tu Giam, the first national university of the country. Ittaught disciples on the Confucian way of life and revered Chu Van An, one ofVietnam’s most respected scholars. Between 1076 and 1779, Quoc Tu Giam educatedthousands of talented men to serve their country to the best of theirabilities./.
VNA

See more

A ritual at Hue Nam Temple Festival (Photo: VNA)

Hue Nam Temple Festival: From imperial relic to distinctive cultural celebration in Hue

Historically known as Ngoc Tran Son Tu, the temple was renamed Hue Nam during the reign of King Dong Khanh in the late 19th century, symbolising royal gratitude to the Mother Goddess. It is also the only temple in Hue that harmoniously combines royal ceremonial elements with folk religious practices, creating a distinctive blend of court ritual and popular belief.

Participants in the 20th Cong hien (Devotion) Awards presentation ceremony in Hanoi on April 15 (Photo: VNA)

Devotion Awards mark two decades of honouring excellence in music, sports

Nguyen Thien Thuat, Editor-in-Chief of the The Thao & Van Hoa newspaper and Head of the organising board of the awards, said, noting that their achievements reflect the spirit of the Politburo’s Resolution No. 80, which emphasises preserving national cultural values while selectively absorbing the essence of world culture.

Artisans and students take part in cultural activities and exchanges in the Xoan singing performance space at Hung Lo ancient communal house in Phu Tho province (Photo: VNA)

Ancestral legends revived through contemporary performance

Beyond cultural value, well-organised festival programmes linked with tourism and media can contribute to the development of cultural industries and enhance Vietnam’s cultural soft power, positioning heritage-based events as distinctive national cultural brands in the international arena.

Khue Van Cac (Khue Van Pavilion) stands as a defining cultural symbol of Hanoi, closely associated with Vietnam’s long-standing tradition of valuing education and honouring knowledge. (Photo: VNA)

Greater efforts needed for heritage to shape Hanoi’s identity

As suggested by UNESCO experts, heritage should be approached as an integrated system encompassing space, people and everyday life. This perspective can inform urban planning, cultural tourism development and the creation of clear economic drivers.

Participants at the gathering (Photo: VNA)

Lao, Cambodian students welcome traditional New Year in Ho Chi Minh City

In his speech, Vice Chairman of the municipal People’s Committee Nguyen Manh Cuong said the municipal Party organisation, authorities and people always value the close ties and solidarity among Vietnam, Laos and Cambodia. He described the three nations’ longstanding ties, forged through shared hardships, as an invaluable spiritual asset and a bedrock for sustainable development.

Vietnamese kickboxers win 32 gold medals at the Kickboxing World Cup 2026. (Photo: Vietnam Kickboxing Federation)

Vietnam finish third at Kickboxing World Cup 2026

According to Vu Duc Thinh, President of the Vietnam Kickboxing Federation, the strong results reflected careful preparation by local training centres and the determination of Vietnamese fighters. The team’s participation, funded largely through socialised and local resources, also demonstrated growing support for the development of kickboxing in Vietnam.

Politburo member, Secretary of the Party Central Committee and Head of the Party Central Committee’s Commission for Information, Education and Mass Mobilisation Trinh Van Quyet speaks at the event (Photo: VNA)

National Radio Festival opens in Quang Ninh

The opening night was combined with an artistic programme titled “sounds of the new era,” drawing around 50,000 spectators. The programme was structured in three chapters: Origins of Sound, Heritage Sound, and Sound of the New Era.

Vietnamese puppetry faces pressure to adapt to modern lifestyles, particularly amid growing competition from diverse entertainment forms (Photo: VNA)

Vietnamese puppetry seeks renewal amid preservation challenges

People’s Artist Nguyen Hoang Tuan, Chairman of the Hanoi Theatre Association, noted that while northern Vietnam had 27 puppetry guilds in 1986, only 14 remain today. Many traditional plays and original scripts have been lost, hurting restoration and preservation efforts.