The "I Love My Fatherland" journey is an annual nationwide programme aimed at promoting patriotism, revolutionary ideals and civic responsibility among Vietnam's youth through visits to historical, cultural and sovereignty landmarks across the country.
“The Sound of Crossing the Sea” is expected to help promote Vietnam’s distinctive cultural and artistic identity to international audiences and the ASEAN community in Hong Kong.
Now in its fifth edition, the festival has cemented its place as Da Nang’s signature annual diplomatic event, spotlighting the distinct cultures of both nations, fostering friendship and driving cooperation with Korean localities and partners.
The event attracts about 2,000 martial artists of 66 delegations, including seven international delegations from six countries, namely Indonesia, Russia, France, Germany, Switzerland and Morocco.
The Pho Cultural Roadshow Europe 2026 travelled through six countries – the Czech Republic, Poland, Slovakia, Austria, Hungary and Germany – with seven stops, bringing together eight Vietnamese culinary artisans, chefs and food experts.
My Quang is not only a signature dish of the Quang region but also reflects the history, culture and daily life of communities in central Vietnam. With its diverse ingredients, preparation methods and distinctive flavours, the noodle soup has become one of Vietnam's best-known culinary specialities, helping strengthen Da Nang's position on the culinary tourism map.
Now in its second year, the festival builds on the success of its inaugural edition in 2025 and aims to establish "Yen Tu – The Meditative Hues of Autumn" as Quang Ninh's signature cultural – tourism brand.
On architectural management, the draft Law amending and supplementing several articles of the Law on Architecture clarifies the concept of “national cultural identity in architecture”, tying design to the preservation and promotion of regional heritage. It pushes architecture that mirrors local identity and fits each locality’s natural, historical and social conditions, while setting criteria to identify, assess and protect architecturally valuable buildings as a distinct form of cultural heritage.
Ninh Binh has emerged as one of Vietnam’s fastest-growing tourism destinations. In the first seven months this year, the locality welcomed an estimated 18.7 million visitors, up 23.34% year-on-year, including more than 16.7 million domestic and over 2 million international arrivals.
Now in its 10th edition since its debut in 2014, the festival has become one of Vietnam's leading international classical guitar events.
Vo An Nguyen, who leads the committee and serves as CEO of Future Star World, called the pageant an international contest built around heritage, where beauty is measured alongside knowledge, community responsibility and the preservation of each country's cultural treasures.
According to the online travel platform Booking.com, 85% of Vietnamese travellers consider sustainable travel a priority, while the same proportion want their trips to leave a positive impact on destinations.
According to the organising committee, the four-day festival attracts nearly 1,000 martial artists from Vietnam and overseas, including 650 participants from domestic martial arts schools and clubs and 260 representatives from 16 delegations across nine countries, including Thailand and Laos.
According to the organising committee, throughout August, the Hue Sports Festival will feature 19 sporting events alongside other Autumn Festival activities.
Experts believe that with coordinated reforms in institutions, technology, human resources and infrastructure, Vietnam can transform its cultural heritage into a powerful engine for innovation, economic growth and national soft power in the new era.
Localities expect the new service to expand tourism development opportunities, strengthen regional tourism connectivity and promote a greener, more sustainable railway tourism ecosystem across the central region.
From its origin as Saigon-Gia Dinh, Ho Chi Minh City absorbed successive waves of ethnic communities and external influences. Geography and diversity fused to produce a population known for generosity, openness, straightforwardness, solidarity, tolerance and compassion.
First staged at Venice's Teatro La Fenice in 1853, La Traviata was adapted from Alexandre Dumas fils' La Dame aux Camélias (Camille). More than 170 years on, it remains one of the most enduring works in the operatic repertoire and is regularly performed at leading theatres worldwide.
The “Chuyen Ha Noi – Mot ngay rat Ha Noi” (Hanoi stories – A truly Hanoi day) programme is scheduled to be staged regularly at 8 p.m. every Friday at the theatre, located at 31–33 Luong Van Can street, Hoan Kiem ward. It is expected to become one of the city’s signature cultural attractions for both domestic and international visitors.
Digitising Vietnam’s folk culture, including oral literature, beliefs, customs, festivals and art passed down through generations, has become an urgent lever for national cultural development in the new era.