Dau pagoda, a precious national cultural patrimony

Dau pagoda is a famous historical site in Hanoi’s outlying district of Thuong Tin, which houses the embalmed bodies of two monks, Vu Khac Truong and Vu Khac Minh.

Dau pagoda, a precious national cultural patrimony ảnh 1
Dau pagoda, a precious national cultural patrimony. (Photo: VietnamPlus)

Hanoi (VNA) – Dau pagoda is a famous historical site in Hanoi’s outlying district of Thuong Tin, which houses the embalmed bodies of two monks, Vu Khac Truong and Vu Khac Minh.

Situated on a hill in the middle of the field at Gia Phuc village in Thuong Tin district’s Nguyen Trai commune, the pagoda is covered with luxuriant trees and surrounded with lakes and the Nhue River flowing behind, forming a picturesque landscape.

The pagoda has the Sino-Vietnamese name of Thanh Dao or Phap Tu Vu, but it’s also known as Chua Vua, Chua Ba and Chua Dau.

The pagoda was the object of great care in the feudal dynasties of Vietnam, and has been repaired and upgraded many times. The stele, erected in the year Duong Hoa 5th (1639) of Le Than Tong and preserved in the pagoda reports that the Dau pagoda was constructed under the Ly Dynasty, repaired and enlarged under the Tran, Le and Mac Dynasties.

Dau pagoda, a precious national cultural patrimony ảnh 2
The pagoda was the object of great care in the feudal dynasties of Vietnam, and has been repaired and upgraded many times. (Photo: VietnamPlus)

After passing through the entrance gate and the paved yard, there are two dragons at the side of the steps leading to the veranda of the vestibule. The large-headed dragons are round-bodied, with undulations, a pearl held in the jaws, the forefeet sustaining the chin, the crest directed upward with decorations of flames. The horns directed from behind form a square frame on the head.

At the sight of these dragons, the researchers assert that these are masterpieces of artists under the Tran Dynasty. The pagoda has preserved many ancient steles, bricks decorated with dragons, carps transformed into dragons, and lotus, among others, carrying characteristics of the art of the Mac dynasty.

Dau pagoda, a precious national cultural patrimony ảnh 3
The fleshly statue (burial statue) of Zen masters Vu Khac Tuong (Photo: VietnamPlus)

The pagoda is famous near and far for its two fleshly statues (burial statues) of two Zen masters Vu Khac Tuong and Vu Khac Minh (two monks who lived at the pagoda in the 17th century).

Bodhisattva's physical body, also known as the whole body of relics, is when the master passed away in a meditating position. After hundreds of years the bodies are still intact, have a pure appearance, with the faces completely bearing the features of Bodhisattva.

These are two of four rare corpse statues in the country and in the world, carrying great significance of the mysterious mummification phenomenon of Vietnamese Zen masters.

To embalm a body, according to modern science, it is necessary to fulfill strict conditions, including the use of embalming drugs, internal organs, and brain removal. The body must be kept in a closed space such as a coffin to prevent air from entering the body.

However, with the remains of two Zen masters Vu Khac Minh and Vu Khac Truong, scientists examined by X-ray and found that the two monks had no incisions, and their bodies were completely intact. There was no sign of intestinal and brain suction. The bones were in the correct anatomical position, without any materials such as adhesives, wires, or brackets to support the bones.

It is inexplicable how natural decay has not set in, and has had no impact on the physical bodies of the two masters even after more than 400 years.

Currently, the two flesh statues are placed in a sealed glass altar, pumped with concentrated nitrogen gas for preservation at the pagoda.

Until now, scientists have not yet found the answer as to why the bodies of the two monks were in this perfect state without the use of any type of embalming agent.

With spiritual and scientific mysteries, the pagoda not only contains cultural and historical value, but it also attracts tens of thousands of domestic and international Buddhism followers to visit and worship relics of the two Zen masters each year./.

VNA

See more

At the opening of the first-ever Cultures of the World Festival in Hanoi. (Photo: VNA)

Vietnam charts course for regional culture, creativity hub status by 2045

The blueprint seeks to deepen international cultural integration, export Vietnamese values and absorb the essence of world cultures. The end goal is an advanced culture steeped in national identity, deployed as a soft power to fuel rapid, sustainable growth, lift Vietnam’s global standing, and add a distinct thread to the tapestry of human civilisation.

Deputy Minister of Foreign Affairs Ngo Le Van, Chairman of the Vietnam National Commission for UNESCO, speaks at plenary session of the 48th session of the UNESCO World Heritage Committee in Busan on July 20, 2026. (Photo: VNA)

Vietnam proposes priorities to strengthen international cooperation on world heritage conservation

On behalf of Vietnam, the deputy minister proposed three priorities of strengthening international cooperation and capacity-building for member states, particularly developing countries; promoting science-based conservation that strikes a balance between preservation and development while placing local communities at the centre; and enhancing coordination among relevant conventions and programmes, alongside the responsible application of digital technologies and artificial intelligence in heritage conservation.

Claudia Roth, a member of the German Bundestag, visits the Vietnamese booth at the festival. (Photo: VNA)

Vietnam attends multicultural festival in Germany as guest of honour

The Vietnamese booth attracted a large number of visitors with traditional dishes such as "nem cuon" (fresh spring rolls) and "bun cha" (grilled pork with vermicelli), along with displays of ao dai (traditional long dress), conical hats and cultural performances imbued with Vietnamese identity. These activities helped spread Vietnamese culture and foster understanding and closer ties between the Vietnamese community, German residents and international friends.

Representatives of countries and territories participating in the Asian Pencak Silat Championship. Photo: VNA)

10th Asian Pencak Silat Championship opens in Dong Nai

Speaking at the opening ceremony, Director of the municipal Department of Culture, Sports and Tourism Le Thi Ngoc Loan said the championship offers athletes an opportunity to compete in a spirit of fairness and sportsmanship while promoting exchanges, mutual understanding and friendship among participating countries.

A special art performance at the Khanh Hoa Sea Festival 2026 (Photo: VNA)

Khanh Hoa Sea Festival 2026 opens, promoting sustainable marine development

Having been held 10 times, the Khanh Hoa Sea Festival has evolved beyond a local celebration into an event of national significance in culture, economy and external relations. This year's edition continues to honour Vietnam's maritime cultural heritage while promoting tourism, the marine economy and international integration.

The golf course at NovaWorld Phan Thiet will host international tournaments during Sports Festival 2026. (Photo: VNA)

Around 7,000 athletes to compete at Sports Festival 2026

This year's festival will feature 12 sports, introducing several new events such as national youth triathlon and beach tennis championship, while expanding its international scope by bringing together clubs, athletes, and police forces from ASEAN countries for events such as the ASEAN Police Open Golf Tournament 2026.

A performance of Cheo Tau folk singing, a distinctive cultural tradition of O Dien commune in Hanoi. (Photo: VNA)

Beyond preservation: Unlocking the value of Vietnam's heritage

Dr. Nguyen Thu Hanh, Director of the Centre for Research and Development of Vietnam Cultural Industry (SDCI), said Vietnam has traditionally focused on preserving heritage rather than creating new value from it. The key obstacle, she noted, is the weak connection between heritage and science, technology, education, design, communications and the marketplace, limiting its economic, educational and social impact despite the country's abundant cultural resources.

Vietnamese Ambassador to Laos Nguyen Minh Tam speaks at the event. (Photo: VNA)

Film screening in Vientiane highlights Vietnam-Laos strategic cohesion

A screening of the special Vietnamese feature film Mua Do (Red Rain) was held in Vientiane on July 16 to mark the 49th anniversary of the signing of the Vietnam-Laos Treaty of Amity and Cooperation (July 18, 1977–2026), reaffirming the two countries' strategic cohesion through cultural exchange.

Artists from the Vietnam National Puppetry Theatre deliver emotionally compelling performances that recreate the rich historical legacy of Thang Long–Hanoi. (Photo: VNA)

Top leader's directives chart new course for culture-led development: experts

Artists and cultural experts shared the view that the top leader's guidance at the second meeting of the Central Steering Committee for the Development of Vietnamese Culture not only reviewed the initial implementation of the Politburo's Resolution No. 80-NQ/TW but also identified four major gaps requiring urgent action and three strategic shifts to unlock the full potential of culture.

Digital transformation in heritage should adopt people-centred approach: UNESCO

Digital transformation in heritage should adopt people-centred approach: UNESCO

Digital transformation in the heritage sector should adopt a people-centred approach, ensuring the meaningful participation of communities at every stage-from documentation and preservation to the management, use and dissemination of cultural data. Jonathan Baker, Representative of the United Nations Educational, Scientific and Cultural Organization (UNESCO) told the Vietnam News Agency during an interview on July 8.