Twenty six artists from Vietnam, Malaysia and the Philippines are joining in a painting exhibition, to share their sympathies and compassion for the victims of the historic typhoon Haiyan.
Haiyan devastated portions of Southeast Asia last November, particularly the Philippines, as it became the deadliest Philippine typhoon on record, claiming more than 6,250 lives.
Sau Con Bao, or After the Storm, is being co-organised by Asia Art Link and Hanoi University of Culture and features 24 large-size paintings and three installations made of steel, paper bags and cartons.
"The art collection depicts images of recovery, resilience and strength of spirit, and, most importantly, of hope, friendship and humanity," said the Philippine Ambassador to Vietnam, Jerril G. Santos.
"Many people from all walks of life have shown their concern for the Philippines by joining the humanitarian effort through sharing their resources with the affected victims. Expressions of sympathy, donations and other offers of assistance brought immense comfort and solace to many victims of this tragedy," he said.
Asia Art Link has organised five displays in Vietnam, since it was established in 2005, showcasing art works by regional artists. But this is the first exhibition that conveys a clear message that focuses more on humanity, said young artist Pham Huy Thong.
"My exhibit, Farm of Hope, belongs to the HOPE series. It displays two contrary factors: the peaceful clouds against the stormy weather," said Thong, explaining his drawing of a farmer and his buffalo ploughing a white cloudy field against the background of a grey sky.
"It not only presents the Haiyan victims' hope for a better future, but the hope of farmers who represent the poor in any nation for a better life," added the artist.
Thong also has his work, entitled The Last Leaf, displayed at an on-going exhibition in the Philippines, at which exhibits will be sold and all proceeds donated to an energy supply project for the victims.
Similar to the idea of Thong, Noel Pama from the Philippines would like to showcase symbols of the future through his oil-on-canvas, Chasing the Dreams, depicting children flying high on paper-folded airplanes.
"Children are the future of a nation. I use symbols and graphics, like transmitter graphics on a boy's head, which means children often absorb everything around them, even though it is good or bad, as they are flying to success," said Pama.
As the name of the exhibition says, the majority of works tell the story of strength and recovery, while some portray the stormy devastation in order to remind people of what happened.
"Vietnamese artist Pham Tuan Tu's painting It Went Through struck my eyes as it vividly illustrates the heart-rendering and deadly destruction of the disaster. Haiyan was gone, leaving behind deadly dolls sprawling in a place similar to a cemetery. It's scary to look at, but it's true," said a visitor, Tran Tuan Long, eyes looking at the painting framed by black and white, silk ribbons and flowers.
"I'm also impressed with the oil-on-canvas Vines by Norman Dreo. I like the graphics and the message that it conveys, that the inferno is gone and life has returned and will continue. New sprouts are rising, fish are swimming, birds singing, fisherman set sail for a new voyage and family reunion," Long said.
The display runs until April 17 at the Vietnam Museum of Fine Arts, 66 Nguyen Thai Hoc street, Hanoi.-VNA
Haiyan devastated portions of Southeast Asia last November, particularly the Philippines, as it became the deadliest Philippine typhoon on record, claiming more than 6,250 lives.
Sau Con Bao, or After the Storm, is being co-organised by Asia Art Link and Hanoi University of Culture and features 24 large-size paintings and three installations made of steel, paper bags and cartons.
"The art collection depicts images of recovery, resilience and strength of spirit, and, most importantly, of hope, friendship and humanity," said the Philippine Ambassador to Vietnam, Jerril G. Santos.
"Many people from all walks of life have shown their concern for the Philippines by joining the humanitarian effort through sharing their resources with the affected victims. Expressions of sympathy, donations and other offers of assistance brought immense comfort and solace to many victims of this tragedy," he said.
Asia Art Link has organised five displays in Vietnam, since it was established in 2005, showcasing art works by regional artists. But this is the first exhibition that conveys a clear message that focuses more on humanity, said young artist Pham Huy Thong.
"My exhibit, Farm of Hope, belongs to the HOPE series. It displays two contrary factors: the peaceful clouds against the stormy weather," said Thong, explaining his drawing of a farmer and his buffalo ploughing a white cloudy field against the background of a grey sky.
"It not only presents the Haiyan victims' hope for a better future, but the hope of farmers who represent the poor in any nation for a better life," added the artist.
Thong also has his work, entitled The Last Leaf, displayed at an on-going exhibition in the Philippines, at which exhibits will be sold and all proceeds donated to an energy supply project for the victims.
Similar to the idea of Thong, Noel Pama from the Philippines would like to showcase symbols of the future through his oil-on-canvas, Chasing the Dreams, depicting children flying high on paper-folded airplanes.
"Children are the future of a nation. I use symbols and graphics, like transmitter graphics on a boy's head, which means children often absorb everything around them, even though it is good or bad, as they are flying to success," said Pama.
As the name of the exhibition says, the majority of works tell the story of strength and recovery, while some portray the stormy devastation in order to remind people of what happened.
"Vietnamese artist Pham Tuan Tu's painting It Went Through struck my eyes as it vividly illustrates the heart-rendering and deadly destruction of the disaster. Haiyan was gone, leaving behind deadly dolls sprawling in a place similar to a cemetery. It's scary to look at, but it's true," said a visitor, Tran Tuan Long, eyes looking at the painting framed by black and white, silk ribbons and flowers.
"I'm also impressed with the oil-on-canvas Vines by Norman Dreo. I like the graphics and the message that it conveys, that the inferno is gone and life has returned and will continue. New sprouts are rising, fish are swimming, birds singing, fisherman set sail for a new voyage and family reunion," Long said.
The display runs until April 17 at the Vietnam Museum of Fine Arts, 66 Nguyen Thai Hoc street, Hanoi.-VNA
