Hanoi (VNA) – In the ever-evolving landscape of Vietnamese art, the "Ngua hoa mai" (Apricot blossom horse) project stands as a testament to how folk motifs can find new life.
What began as a modest creative spark has blossomed into a vibrant cultural narrative, blending childhood nostalgia with sophisticated contemporary craftsmanship.
Six years ago, at the Muong Cultural Space Museum, artist Le Huy, the founder of Lam Phong Studio, conceived a vision that would eventually define his artistic identity.
Initially, the "Ngua hoa mai" was a small, chubby ceramic figure inspired by the horses found in traditional Vietnamese reliefs and sculptures. With its squinting, joyful eyes and green-bronze glaze, the piece exuded a sense of rustic charm. However, the isolation of the COVID-19 pandemic forced Huy into a period of deep introspection. During this time, the horse evolved from a simple figurine into a profound symbol of hope, memory, and cultural continuity.
The addition of the apricot blossoms was serendipitous. While Huy was working, his son accidentally pressed a piece of clay onto a sculpture, exclaiming, “A flower, Dad!” This moment of innocent creativity birthed a new identity for the work, symbolising the blossoming of spring and well-being.
By 2026, the project reached a new milestone with the introduction of a brass kite hovering elegantly over the horse’s back. For Huy, the kite is a bridge to his past — reminders of youthful days flying kites along the banks of the Lo River.
In Vietnamese culture, kites also serve as ritualistic messengers, carrying prayers for peace and prosperity to the heavens.
Huy’s commitment to innovation is evident in his choice of materials. This year, he ventured into high-end jewellery techniques to craft a miniature version in 18k gold — a meticulous process requiring hours of labour under a magnifying glass. Meanwhile, his larger lacquer versions utilise a sustainable base of pressed stone powder and recycled nylon. This eco-friendly approach creates a surface with remarkable depth and durability, proving that traditional art can align with modern environmental values.
Huy’s portfolio, including previous projects like “Nham Nhi Dan” (an optimistic tiger) and “Nhan Nguu” (a peaceful buffalo), reflects a consistent desire to make Vietnamese heritage accessible to the masses.
His "Ngua hoa mai" is more than a decorative object. It is a dialogue between the artist and the artisan, the past and the present. Today, international visitors frequently pause before these gentle, bell-collared creatures, captivated by the fusion of folklore and modern silhouettes.
For Huy, this remains a lifelong journey to ensure that the spirit of Vietnam continues to fly alongside contemporary dreams, reminding us all of the enduring power and beauty found within our collective cultural memory, fostering a deeper connection between history and the present./.
