Bat Trang pottery village preserves heritage in digital age

The combination of modern machinery and traditional craftsmanship reflects the craft village’s efforts to preserve values handed down through generations while embracing technological advances.

The product display area at Bat Trang pottery village in Hanoi attracts visitors. (Photo: qdnd.vn)
The product display area at Bat Trang pottery village in Hanoi attracts visitors. (Photo: qdnd.vn)

Hanoi (VNA) - Amid increasingly modern production methods, artisans in Bat Trang pottery village in Hanoi still carefully shape clay, draw patterns, and apply glaze by hand before firing their products.

The combination of modern machinery and traditional craftsmanship reflects the craft village’s efforts to preserve values handed down through generations while embracing technological advances.

Technology has transformed many stages of pottery production. Traditional coal-fired kilns, which relied heavily on experience, are being replaced by gas and electric kilns equipped with automated temperature-control systems. This helps reduce defective products, save fuel, and limit emissions.

Technology is also used in clay processing, material grinding, glaze filtering, moulding and drying. Many workshops have invested in laboratories and applied artificial intelligence (AI) and automated control systems to monitor firing temperatures and kiln timing.

Digital tools are also being utilised for product design, material management and order tracking, while websites, social media and e-commerce platforms have helped local producers reach wider markets.

Vu Dinh Manh, Chairman of the Board of Directors of Bat Trang Ceramic Space JSC, said science and technology help businesses improve productivity, stabilise quality, reduce costs and handle large orders. However, for handicrafts, machinery remains a supporting tool, while the experience, skills and creativity of artisans determine the value of each product.

Technology cannot fully replace artisans in such processes as shaping, engraving, painting and glaze blending, which require experience, precision and artistic sensibility. Many Bat Trang producers therefore combine modern equipment with manual craftsmanship, allowing machinery to handle repetitive or labour-intensive stages while artisans focus on creative work.

For visitors, Bat Trang is not merely a place to buy ceramics. Many come to experience pottery making, painting, and the cultural heritage of the craft village. This means the value of Bat Trang ceramics lies not only in their practical use but also in the cultural stories embedded in each piece.

The village’s transformation reflects the spirit of the Politburo’s Resolution No. 57-NQ/TW on breakthroughs in science and technology development, innovation and national digital transformation, with people remaining at the centre of development.

For the coming period, experts say Bat Trang needs to pursue both modernisation and preservation. Automation is essential for mass-produced goods, while traditional techniques should be maintained for artistic and one-of-a-kind products.

With cleaner technologies, greater digital access, and training for younger artisans, Bat Trang can harness technology to improve competitiveness and, at the same time, preserve the distinctive spirit of its centuries-old pottery heritage./.

VNA

See more

General Secretary of the Communist Party of Vietnam Central Committee and President To Lam speaks at the ceremony marking the Hanoi Police Football Club's 70th anniversary on October 10, 2026. (Photo: VNA)

Top leader applauds Hanoi Police FC’s 70-year achievements

General Secretary and President To Lam expressed delight at the encouraging signals recorded so far, noting that with its valuable traditions, the enthusiasm of today's youth, and the attention from leaders of the Party, State, Ministry of Public Security, Hanoi Police, and local authorities, the team has every opportunity to thrive.

International visitors stroll beneath the leafy trees along Hoan Kiem Lake, enjoying Hanoi’s cool autumn weather. (Photo: VNA)

Hanoi’s autumn charms visitors with scenery, food and memories

Hoan Kiem lake remains a popular attraction, with colourful flowerbeds drawing residents and tourists for walks and photos. Visitors can continue through the Old Quarter, explore cafés in old buildings and sample local favourites such as pho and bun cha.

Guitarist Dang Ngoc Long performs with the Tübingen Symphony Orchestra (Germany) at the “A Rhapsody of Two Worlds” concert at Ho Guom Theatre in Hanoi in December 2025. (Photo: VNA)

From Berlin, the Vietnamese guitar fosters cultural connections to global community

This year, 30 contestants from 15 countries entered the competition, with five finalists set to compete on October 10 at Ballhaus Prinzenallee in Berlin. The programme also includes a gala concert, masterclasses and a guitar exhibition. Long’s compositions have been selected as compulsory pieces, introducing international musicians to Vietnamese music.

Visitors explore the Vietnamese booth. (Photo: VNA)

Vietnam showcases cultural identity at RoK festival

The Vietnamese booth, presented by the Vietnamese Women’s Association in the RoK, attracted visitors with traditional items such as ao dai, conical hats, handicrafts and models showcasing Vietnamese folk culture, offering insights into the country’s heritage and people.

International tourists enthusiastically participate in activities associated with the Mid-Autumn Festival (Photo: VNA)

Vietnam ranks among world’s top 10 favourite countries in 2026

Vietnam’s inclusion in the top 10 favourite countries in the 2026 Readers’ Choice Awards adds another important milestone to the country’s international tourism brand. The result not only underscores the destination’s appeal but also reflects growing international appreciation for Vietnam’s natural beauty, cultural heritage, cuisine and people.

Hanoi leaders attend the groundbreaking ceremony for the cultural industry centre. (Photo: VNA)

Hanoi launches project to build cultural industry hub in Old Quarter

The project, covering about 3,862sqm. at 17 Nguyen Thien Thuat and 40 Thanh Ha, includes around 2,317sqm. of construction area. It will renovate existing structures, improve architecture and landscaping, upgrade technical infrastructure and create spaces for cultural, artistic and creative activities.

Director Tra Nguyen, founder of “The Run – A Theatre Project” (far right), joins international speakers at the panel discussion. (Photo: VNA)

Vietnamese experimental theatre shines at AAPPAC 2026

Vietnam’s participation in the 2026 Annual Conference of the Association of Asia Pacific Performing Arts Centres (AAPPAC 2026) in Hong Kong highlights the growing international engagement of the country’s performing arts community.

Vietnamese Ambassador to France Trinh Duc Hai (right) speaks at a press conference introducing the Vietnamese Theatre Week in France. (Photo: VNA)

Vietnamese theatre arts to take centre stage in France

Vietnamese Ambassador to France Trinh Duc Hai noted that Paris is chosen for its status as a major global cultural and artistic centre and the headquarters of UNESCO. The year 2026 also marks 50 years since Vietnam joined UNESCO.

An overview of the press conference (Photo: VNA)

Over 2,000 people to perform Thai Xoe dance in Lao Cai in October

The festival will provide an opportunity to review achievements in preserving and promoting the values of Thai Xoe, honour the cultural identities of ethnic groups in the Northwestern region, and promote the land and people of Lao Cai. It will also showcase local tourism products and destinations and strengthen linkages for tourism development.

The Vietnamese and Panamanian first ladies experience cultures of Vietnam's ethnic groups. (Photo: VNA)

Vietnamese, Panamanian first ladies bond over ethnic textiles at Hanoi cultural event

The two ladies were briefed on the cultural diversity of Vietnam's ethnic groups and shown traditional costumes, along with weaving, embroidery and pattern-making techniques preserved and handed down through generations. The materials, colours and patterns of the costumes reflect aesthetic values as well as stories of history, customs, traditions and the distinct identity of each community.