Vietnam Culture Day: Rendezvous of identity, internal strength

Culture has long been described as the spiritual foundation of society, an internal strength, and a driver of development; yet for that idea to truly take root in everyday life, it must be translated into concrete, visible, and tangible policies.

Offering of cylindrical glutinous rice cakes to Hung Kings at Thuong Temple in Ho Chi Minh City (Photo: VNA)
Offering of cylindrical glutinous rice cakes to Hung Kings at Thuong Temple in Ho Chi Minh City (Photo: VNA)

Hanoi (VNA) – The designation of November 24 as Vietnam Culture Day sends a message that goes well beyond creating another paid public holiday. At its core, it is a deliberate affirmation by the Party and State that culture must stand on equal footing with economy, politics and society in the national development strategy, said Assoc. Prof. Dr Bui Hoai Son.

Talking with the Vietnam News Agency, Son, who is also a National Assembly (NA) deputy representing Hanoi and full-time member of the NA Committee for Cultural and Social Affairs, said culture has long been described as the spiritual foundation of society, an internal strength, and a driver of development. Yet for that idea to truly take root in everyday life, it must be translated into concrete, visible, and tangible policies. Designating a day for the entire society to pause, reflect and engage with culture is a clear step in that direction.

The move carries broad significance, Son said. First, it establishes a national “spiritual rendezvous”, giving citizens a chance to reconnect with their cultural identity, family, community, traditions and the values that define Vietnamese character. In a fast-moving modern society dominated by work, consumption and technology, the day serves as a reminder that life requires more than labour, but it needs memory, belief, aesthetics, ethics and a sense of belonging to a community with a distinct identity.

Second, if well organised, the holiday could broaden access to and enjoyment of culture for large segments of the population, particularly children, workers and those in remote or underserved areas who rarely visit theatres, museums, libraries, arts centres or creative spaces. Proposals to offer fee exemptions or reductions at public cultural and sports facilities signal a clear intent to bring culture closer to the public.

Over the longer term, the impact could reshape public perceptions, elevating culture from a “soft” or secondary concern to a genuine force that shapes human development, drives progress and bolsters national resilience.

The risk, Son warned, is treating November 24 as just another day off. Without engaging, relatable and meaningful cultural content, the policy’s deeper purpose could quickly fade. To succeed, the day must avoid “administrativising” culture and instead focus on “socialising” cultural experiences. Citizens should be enabled to actively join and feel that culture is part of their daily lives, rather than watching formal ceremonies. NA discussions focused on the need to give the day real substance and community-wide impact, steering clear of empty formality.

The occasion should feature a series of open activities rather than a single event. Nationally, a Vietnam Culture Week could be launched around November 24, linking central and local levels. Locally, each region should tell its own story: Hanoi highlighting the Thang Long heritage, Hue showcasing imperial traditions and classical arts, Ho Chi Minh City spotlighting dynamism and creativity, and ethnic minority areas presenting their unique cultural spaces. The goal is for locals to see the day as their own, not something owned by the cultural bureaucracy.

Public venues, including museums, libraries, heritage sites, theatres and cultural centres, should open widely with free or discounted access and offer hands-on experiences to families, students, youth, workers and the elderly.

To embed cultural values deeply, the Vietnam Culture Day must also connect to everyday life: spreading codes of conduct in families, workplaces, schools, traffic and digital spaces; encouraging reading and heritage education; honouring artisans, artists, teachers and community custodians; and bringing arts performances to industrial zones, rural areas, dormitories and residential communities, according to the official.

For culture to become a true driver of development, he said the first step is a shift in mindset: culture is not only a legacy of the past, but also a resource for the future. This lines up perfectively with the Politburo’s Resolution 80-NQ/TW, which identifies culture as the spiritual foundation, an internal strength, a development driver, and an element that must permeate all strategies and policies.

vnanet-d.jpg
Introducing Lam Dong tea to visitors (Photo: VNA)

Achieving this transformation requires building an ecosystem that links heritage, creativity, markets and technology. A traditional craft village should evolve beyond a place for sightseeing into a hub for design, experiential learning, aesthetic education and community-based tourism. Folk materials should move from academic shelves into contemporary music, cinema, theatre, fashion, animation, video games and applied arts. Heritage sites should become dynamic storytelling spaces through digital technology, night tours, performing art and immersive experiences for younger generations.

In short, heritage must speak the language of the present to remain relevant. Culture must live in today’s world rather than remain frozen in the past, he said.

Commercialising culture, however, must be handled with care. The State has a critical role in setting legal frameworks, protecting intellectual property rights, cultivating talent, investing in infrastructure, expanding markets and striking the right balance between economic gains and cultural integrity.

With sound policies in place, companies will invest. With functioning markets, young creators will thrive. With quality products, global attention will follow. When culture generates jobs, income and brand value, it will attract more resources for preservation and growth, creating a virtuous cycle Vietnam needs, he added.

Vietnam’s greatest advantage is the richness of its cultural identity. The key lies in the ability to reinterpret and express that identity in modern forms that can compete on the global stage, Son concluded./.

VNA

See more

An Ao Dai performance at the event. (Photo: VNA)

Vietnamese cultural spirit shines through Ao Dai festival in Europe

Themed “the essence of Vietnamese Ao Dai", the event featured 19 performances and cultural activities, including ao dai showcases, musical performances, art exhibitions and interactive cultural spaces, offering audiences a vivid glimpse into Vietnamese culture in the heart of Europe.

A performance at the show (Photo: VNA)

Vietnamese water puppetry draws crowds in Laos

Following two sold-out shows in Vientiane, Vietnam’s traditional water puppetry continued to pull in strong audiences. The 700-seat auditorium of the Savannakhet provincial cultural house was filled to capacity on both floors well before the show began.

Meritorious Artisan Nguyen Thi Oanh (Photo: VNA)

Couple saves 500-year-old Dong Ho painting art from extinction

Born in Bac Ninh province’s Dong Khe residential area half a millennium ago, Dong Ho painting hit its roaring peak in the 1940s, when 17 family clans churned out vividly coloured, all-natural works for spiritual, festive and daily rituals, especially the Lunar New Year

Soldier Tran Thanh, a member of the Hoang Dieu Citadel National Salvation Youth Union, carries a lunge mine to destroy enemy tank on the streets of Hanoi on December 23, 1946, during the early days of the nationwide resistance war. (File photo: VNA)

Nghe An to host exhibition featuring President Ho Chi Minh’s call for national resistance

This is an important political and cultural event that celebrates the lasting historical significance of President Ho Chi Minh's call for national resistance, while highlighting the vision, determination, and intellectual strength of the Party and the Vietnamese people during a pivotal moment in history. The exhibition also aims to celebrate the late President’s 136th birth anniversary (May 19, 1890 - 2026).

Tthe DIFF 2026 stage has been designed around the concept of convergence, inspired by the image of converging horizons where cultures, time, and emotions meet (Source: DIFF)

DIFF 2026 set to mark breakthrough in stage scale, performance technology

The DIFF 2026 stage has been designed around the concept of convergence, inspired by the image of converging horizons where cultures, time, and emotions meet. With a width of up to 100 metres and a total area of nearly 1,200sq.m, the stage is considered the largest in the history of DIFF.

Vietnam's national U17 football team defeat United Arab Emirates national U17 football team 3-2 in the final Group C match of the AFC U17 Asian Cup 2026 in Saudi Arabia on early May 14. (Photo: VFF)

Vietnam secure berth at FIFA U17 World Cup 2026 for first time

Vietnam national U17 football team secured a place at the FIFA U17 World Cup 2026 for the first time after defeating United Arab Emirates national U17 football team 3-2 on in the final Group C match of the AFC U17 Asian Cup 2026 in Saudi Arabia on early May 14 (Vietnam time).

Vietnamese Minister of Culture, Sports and Tourism Lam Thi Phuong Thanh and Lao Minister of Culture and Tourism Suonsavan Vignaket exchange the signed culture and tourism cooperation scheme for 2026–2030. (Photo: VNA)

Vietnam, Laos ink 2026–2030 culture-tourism cooperation plan

Both sides pointed to substantive, positive outcomes in cultural and tourism cooperation from 2021-2025, citing successful cultural weeks in each country, cultural and art activities marking important occasions of the two Parties and countries, and the effective delivery of agreements reached by leaders that further fostered the special Vietnam–Laos relationship.

Students visit the photo exhibition. (Photo: VNA)

Vietnam, RoK photo exhibition highlights cultural connections

Among the displayed works, 60 photographs introduce the modern RoK with its rich cultural depth and spectacular natural landscapes, while 40 others vividly portray the beauty, cultural identity and ongoing development of Dak Lak and Vietnam’s Central Highlands region.