Documentary on Argentine journalist missing during Vietnam war premieres in Mar del Plata

The work brings viewers back to the conflict through an investigation aimed at uncovering the fate of Ezcurra, a correspondent for La Nación newspaper sent to Vietnam to cover the war.

From left to right: film producer Corina López Roach, script supervisor Lillian Roldan, Vietnamese Ambassador to Argentina Ngo Minh Nguyet, and the film’s narrator, former AP journalist Clara Preve Durrieu at the 41st Mar del Plata International Film Festival. (Photo: VNA)
From left to right: film producer Corina López Roach, script supervisor Lillian Roldan, Vietnamese Ambassador to Argentina Ngo Minh Nguyet, and the film’s narrator, former AP journalist Clara Preve Durrieu at the 41st Mar del Plata International Film Festival. (Photo: VNA)

Buenos Aires (VNA) – The documentary “A Price We Have to Pay” (Un precio que tenemos que pagar) by Argentine director Ricardo Preve premiered at the 41st Mar del Plata International Film Festival, garnering profound interest and emotion from the audience.

The screening was attended by Vietnamese Ambassador to Argentina Ngo Minh Nguyet, members of the production crew including producer Corina López Roach, along with numerous guests and cinema lovers. The film reconstructs the story of Argentine journalist Ignacio Ezcurra, who went missing in Vietnam in 1968 during the war.

The work brings viewers back to the conflict through an investigation aimed at uncovering the fate of Ignacio Ezcurra, a correspondent for La Nación newspaper sent to Vietnam to cover the war.

Sparked by a photograph published in the press in 1968 that purportedly showed the journalist's body in Cholon, Saigon, Ricardo Preve and his team launched an investigation more than half a century later. This included compiling documents and interviewing witnesses in Argentina, Vietnam, and the US to shed light on the still-unresolved circumstances surrounding his death.

The story of Ignacio Ezcurra also invites reflection on the role and responsibility of international journalists who enter conflict zones, disregarding the dangers, to witness, document, and report the reality of what was happening.

During the war in Vietnam, the chronicles, images, and testimonies of foreign journalists helped bring the conflict closer to global public opinion and shed light on the human losses and suffering inflicted upon the Vietnamese people by the war.

In Latin America, news and images from the Vietnamese frontline, coupled with international solidarity activities, fuelled the anti-war movement and support for the just struggle of the Vietnamese people.

Ezcurra's professional journey thus reflects not only the commitment and courage of a journalist but also the press's mission to defend the truth, highlight humanitarian issues, and raise a voice against the devastating consequences of armed conflicts.

Speaking to the Vietnam News Agency (VNA), Clara Preve Durrieu, the documentary's narrator, noted that participating in the project allowed her to deepen her knowledge of Vietnam's history and the events related to Ezcurra's disappearance.

Having covered the conflict in Ukraine, she stated that she found numerous similarities between wars separated by several decades, particularly regarding human losses.

In her view, although the war in Vietnam belongs to the past, the stories of war correspondents who lost their lives while practicing their profession remain entirely relevant today.

She believes the documentary brings the Argentine public closer to a story that might have previously seemed distant, highlighting the human dimension of journalistic work in conflict zones, where professionals risk their lives to seek and report the truth.

Clara Preve also expressed her profound admiration for Vietnam and its people following her trip there for the filming.

She highlighted the development and modernisation of Ho Chi Minh City, which, despite its progress, retains a strong traditional cultural identity.

Furthermore, she recalled with special emotion the meetings and interviews with Vietnamese witnesses who lived through the war and directly witnessed some of the events related to Ezcurra – experiences that enabled the team to better understand his story.

The journalist noted that the War Remnants Museum in Ho Chi Minh City features a memorial space dedicated to Ezcurra, in recognition of the journalists who lost their lives while covering the war in Vietnam.

This fact, she pointed out, demonstrates that Argentina and Vietnam share historical and human bonds that are much deeper than citizens of both countries typically imagine.

For her part, producer Corina López Roach explained that making the documentary involved intense investigative work, especially in the search, selection, and processing of a vast volume of historical archives regarding the war in Vietnam.

The team continued their research even during filming, leading to the discovery of new documents and elements that required revising the narrative approach and the editing of the film.

López Roach also highlighted the collaboration with Vietnamese professionals, particularly with co-producer Anh Tran, whose support was fundamental to the project's development.

One of the most emotional moments of the premiere was the presence of Rosario Ezcurra Caprile, Ignacio's sister, who travelled from Mexico to Argentina to watch the documentary about her brother for the first time.

She recalled being a teenager when Ezcurra disappeared and that she was among the family members who went to the airport to see him off before his departure to Vietnam.

Rosario Ezcurra expressed her deep sorrow upon learning new details about her brother's final moments, particularly the loneliness and fear he might have experienced in an unfamiliar war setting.

She noted that for decades, the family lived with many unanswered questions and a prolonged silence surrounding his death. She also expressed her gratitude to the Vietnamese Government for the facilitation and cooperation provided to clarify the circumstances of her brother's disappearance and death.

According to producer Corina López, the documentary is scheduled for commercial release in Argentina on March 4, 2027. Additionally, it has been selected for the Panorama section of the Hanoi International Film Festival (HANIFF), with a screening scheduled for December 1 this year, allowing the Vietnamese public to learn about this story through the lens of Argentine filmmakers.

Through Ezcurra's story, “A Price We Must Pay” not only helps preserve the memory of a journalist who went missing during the war, but also conveys a message about the responsibility of the press, the value of truth, and the aspiration for peace.

The emotional reception from the audience in Mar del Plata reflects the human scope of the work and its contribution to strengthening mutual understanding and friendship between the peoples of Argentina and Vietnam./.

VNA

See more

Leaders pose with artists and performers at the ceremony marking 950 years of Quoc Tu Giam (Imperial Academy) on November 13 (Photo: VNA)

Top leader attends ceremony marking Quoc Tu Giam’s 950th anniversary

General Secretary of the CPV Central Committee and President To Lam called for preserving the Van Mieu – Quoc Tu Giam heritage and putting its spirit into daily school life. He asked Hanoi to work closely with culture, education and research agencies to complete open digitised materials on the relic soon.

The opening ceremony for the 2026 Hanoi Creative Design Festival on November 13 (Photo: VNA)

Hanoi Creative Design Festival 2026 opens, targets creative economy

Running from November 13-28, the festival features 150 activities across five cultural, heritage and creative clusters and draws nearly 1,000 domestic and foreign artisans, artists, designers and experts, including nearly 100 foreign artists and overseas Vietnamese from 21 countries.

950 years on, Quoc Tu Giam continues to inspire Vietnam’s pursuit of knowledge ​

950 years on, Quoc Tu Giam continues to inspire Vietnam’s pursuit of knowledge ​

The 950th founding anniversary of Quoc Tu Giam (Imperial Academy), Vietnam’s first national university, is an occasion to reaffirm the enduring values of the country's tradition of learning, respect for teachers, and promotion of talent, which have shaped the nation’s intellectual foundations and continue to support its development in a new era.

Chair of the Canada-Vietnam Cultural & Educational Council (CVCEC) Phan Thi Quynh Trang (first from left) (Photo: VNA)

Vietnam’s learning tradition gets Canadian reboot

The Canada-Vietnam Cultural & Educational Council (CVCEC) is building culture lessons on Vietnamese landmarks, with the Temple of Literature as a core module. Kids will hear stories about teacher Chu Van An, and practice greetings, gratitude to teachers and respect for elders.

Panamanian President José Raúl Mulino and his spouse visit the Temple of Literature (Photo: VNA)

Quoc Tu Giam at 950: A meeting point for Vietnam’s cultural diplomacy

Van Mieu - Quoc Tu Giam is a symbol of Vietnam's culture and education and a regular pick for high-ranking leaders and politicians. That lifts it from national heritage to a valuable platform for promoting cultural diplomacy and showcasing Vietnam's cultural soft power, helping to convey the country's image and cultural identity to the international community.

Construction on APEC Phu Quoc Multi-purpose Performance Hall (Photo published by VNA)

APEC 2027: Inside the making of Asia’s landmark theatre

One year in, Sun Group’s APEC Phu Quoc Multi-purpose Performance Hall is taking shape as one of Asia’s largest theatres. It boasts 54,680 sq.m of floor area, 17,250 sq.m of roof, six above-ground floors plus a basement, and 4,030 seats, larger than Hollywood’s Dolby Theatre, the Oscars venue.

Visitors will enjoy free admission to the Vietnam Museum of Ethnology on Vietnam Culture Day (November 24). (Photo: nhandan.vn)

Free admission to museums, historical sites, national parks on Vietnam Culture Day

Organisations and individuals will be entitled to free admission every year on November 24 to eight museums: the Museum of Oceanography, the Vietnam Museum of Ethnology, the Museum of the Cultures of Vietnam’s Ethnic Groups, the Vietnam National Museum of History, the Vietnam National Fine Arts Museum, the Yersin Museum, the Vietnamese Women's Museum and the Vietnam Military History Museum, as well as the Independence Palace historical site.

Vietnamese Consul General in Perth Pham Hai Anh (Photo published by VNA)

Vietnamese community in Australia seen as bridge for bilateral ties

Vietnamese identity and life in Australia are complementary rather than separate. The more successful overseas Vietnamese became in Australia, the greater their ability to contribute to their homeland and bilateral ties, said Vietnamese Consul General in Perth Pham Hai Anh.

Van Lake within the Temple of Literature (Photo: VNA)

UNESCO Representative: Quoc Tu Giam offers inspiration for new approaches to education

UNESCO Representative to Vietnam Jonathan Wallace Baker said one of the things that stands out in Vietnam is the deep and enduring respect for education, learning and scholarship. Van Mieu –Quoc Tu Giam is a remarkable expression of that tradition, reminding that knowledge, talent and ethical responsibility have long been closely connected in Vietnamese society.

A highlight of the programme is the participation of 950 students in performances staged within the Temple of Literature complex (Photo: VNA)

950 years of Quoc Tu Giam: Continuing Vietnam’s enduring tradition of learning

Through evocative images of students of the Quoc Tu Giam, alongside performances by students and artists, the programme vividly recreated the journey of Vietnam’s scholarly tradition, from the era of the imperial examinations to the spirit of learning in contemporary society. It also helped bring the cultural values of Thang Long-Hanoi to life today.

Students pose for a photo at the ceremony (Photo published by VNA)

Mother tongue connects Vietnamese community in Belarus

Vietnamese language education in Belarus not only helps younger generations take pride in their heritage and better understand and appreciate traditional culture, but also serves as a bridge for promoting Vietnamese culture among international friends.

General Secretary of the Communist Party of Vietnam Central Committee and President To Lam (fourth from left, first row) and his spouse, Ngo Phuong Ly, attend the Vietnam-Japan Friendship Concert in Kanagawa Prefecture on November 10 evening. (Photo: VNA)

Vietnam-Japan Friendship Concert fosters cultural cooperation

In his welcoming remarks, Vietnamese Ambassador to Japan Pham Quang Hieu said the concert brought together talented musicians from the Vietnam National Symphony Orchestra and artists who are current or former members of renowned Japanese orchestras, including the NHK Symphony Orchestra, Tokyo Metropolitan Symphony Orchestra, New Japan Philharmonic and Kanagawa Philharmonic.

Madame Ngo Phuong Ly offers the first bowl of tea to Akiko Santo, former President of the House of Councillors of Japan. (Photo published by VNA)

Top Vietnamese leader’s spouse experiences traditional Japanese culture

After learning about the history of the tea ceremony, Madame Ly was invited to enjoy traditional sweets and tea, and then to try preparing tea herself. She respectfully offered the first bowl of tea to Akiko Santo, former President of the House of Councillors of Japan and the oldest guest present.